Why Jerry Saltz is the provocative art critic you need to follow
A bat's private parts, naked Ancient Greek girls and boys, enemas being administered, sex from every entry point imaginable, tits, penises, balls, vaginas and arses in every shape and form. Let's not forget gorilla sex, too. And this is just a one month recap of Jerry...
Kenny Schachter on Richard Prince and the Magic of Art Market Metaphysics
Illustration by Kenny Schachter. Courtesy of Kenny Schachter. Prince v. Trump Without getting too much into the minutiae of Immanuel Kant’s concept of the “thing-in-itself,” as posited in his “Critique of Pure Reason” (1781), in which he wrestles with the differences...
Kenny Schachter on the Fire That Ravaged His Home and Art
My bedroom with Joe Bradley and Mel Bochner paintings. Courtesy of Kenny Schachter. Thursday evening, January 5, two bottles into a business dinner, my wife Ilona phoned to say that our London house was on fire. She assured me that everyone was fine (our four sons,...
Kenny Schachter on Art and Horse-Racing in St. Moritz
The Sky Over Nine Columns by Heinz Mack, with illustration by Kenny Schachter. Writing in St. Moritz, Switzerland lands me on a slippery slope in more ways than one, besides accidentally smashing onto the pavement on occasion. After an article I wrote last year, I was...
Jerry Saltz and the Future of the Critic-Artist
Collage by Kenny Schachter. Courtesy of Kenny Schachter. This story first appeared in the January 2017 issue of British GQ. The world has changed in the last five months since I wrote this. Much of Jerry Saltz’s medieval (over sexualized) mischievousness has been...
Kenny Schachter on Celebritism and ‘Arting’ at Art Basel in Miami Beach
Collage by Kenny Schachter. Courtesy of Kenny Schachter. Loving and Learning Like starlings changing course mid-flight in a well-ordered flock, many trudged to Art Basel Miami, season fifteen (there should be a boxed set). Come to think of it I’ve been to every fair,...
Kenny Schachter Sees the Art Market Shimmy Along in a City Shaken by Protest
Collage by Kenny Schachter. Courtesy Kenny Schachter. THE ART MARKET PLAYS ITS TRUMP CARD New York is a city enveloped in an otherworldly atmosphere lined by an endless horizon of police cordons and seemingly spontaneous, raucous, pop-up protests that resemble school...
Kenny Schachter’s Dealer’s Diary: Shanghai’s West Bund Art Fair and ART021
Collage of Mao beside artwork by Joe Bradley a Gagosian's booth at Art021. Courtesy Kenny Schachter This may be the craziest, most pathetic thing I’ve written but consider this an appeal to action—or inaction—in light of recent political events, the relevance and...
Kenny Schachter Hunts Big Game Basquiat in Bentonville
Courtesy of Kenny Schachter. This is an interim report between the West Bund and Art 021 art fairs in Shanghai next week, followed by the pivotal New York November auctions kicking off on the 14th, and the final Basel iteration before year end in Miami. The 11th...
Kenny Schachter Goes Running With the Bull-Headed Bulls at FIAC
“Dark Shadows” was an epic American gothic soap opera involving a bloodsucking vampire. Though it aired weekdays from 1966–71 (I’m dating myself), it’s what the art market has come to resemble.
Kenny Schachter Comes Out to Play at Frieze London
“Dark Shadows” was an epic American gothic soap opera involving a bloodsucking vampire. Though it aired weekdays from 1966–71 (I’m dating myself), it’s what the art market has come to resemble.
Kenny Schachter’s Dealer Diary: Of Art & Cars, Part II
“Dark Shadows” was an epic American gothic soap opera involving a bloodsucking vampire. Though it aired weekdays from 1966–71 (I’m dating myself), it’s what the art market has come to resemble.
Kenny Schachter’s Dealer Diary: Of Art & Cars, Part I
“Dark Shadows” was an epic American gothic soap opera involving a bloodsucking vampire. Though it aired weekdays from 1966–71 (I’m dating myself), it’s what the art market has come to resemble.
Kenny Schachter Gets Kicked Off Facebook and Looks for Good News in Ibiza
“Dark Shadows” was an epic American gothic soap opera involving a bloodsucking vampire. Though it aired weekdays from 1966–71 (I’m dating myself), it’s what the art market has come to resemble.
Kenny Schachter on the London Auctions, Brexit, and the New Nihilists
“Dark Shadows” was an epic American gothic soap opera involving a bloodsucking vampire. Though it aired weekdays from 1966–71 (I’m dating myself), it’s what the art market has come to resemble.
Kenny Schachter Declares Basel the New Art Hajj
“Dark Shadows” was an epic American gothic soap opera involving a bloodsucking vampire. Though it aired weekdays from 1966–71 (I’m dating myself), it’s what the art market has come to resemble.
Kenny Schachter on how to survive an art fair
I enjoy many art fairs, especially the Art Basels (Basel, Miami and Hong Kong) and, considering its owners, MCH Group, announced a major expansion into the market for regional fairs [the group is to buy stakes in existing fairs], there are soon to be plenty more. In...
Art After the Apocalypse
“Dark Shadows” was an epic American gothic soap opera involving a bloodsucking vampire. Though it aired weekdays from 1966–71 (I’m dating myself), it’s what the art market has come to resemble.
Kenny Schachter Remembers Zaha Hadid
The 15th Biennial of Architecture in Venice opened last week with an impromptu retrospective of architect Zaha Hadid, hastily organized since Hadid's untimely death a few short months ago on March 31. What was meant to be an exploration of the research methodologies...
Kenny Schachter Deals in Difficult Times at New York Auction Week, Part II
Loic Gouzer and Amy Cappellazzo wrestle. Photo collage by Kenny Schachter Captain Cappellazzo, the Auctions and the Onward March of May Markets like psyches have their natural, cyclical biorhythms; no one is happy 100 percent of the time and nothing goes up forever...
Kenny Schachter Deals in Difficult Times at Frieze New York and the Auctions, Part I
Christie's Global President and auctioneer Jussi Pylkkanen gestures during the bidding of Pablo Picasso's Women of Algiers (Version O), which sold for nearly $179.4 million, making it set a world record for artwork at auction during a sale at Christie's Rockefeller...
Kenny Schachter on the Old Guard, the Upstarts, and Getting Naked at Art Cologne
Stand: Ropac, Halle 11.2 Tony Matelli at Marlborough. Image: Courtesy of Kenny Schachter. If It’s Tuesday, This Must Be Cologne If It’s Tuesday, This Must Be Belgium was a rollicking 1969 comedy (with Suzanne Pleshette), featuring a busload of Americans touring...
Kenny Schachter on Branded Chaos at Art Basel in Hong Kong
Welcome to Hong Kong, where the bills are stamped with HSBC—one of three commercial banks authorized by the government to issue currency (how annoying is that?)—which is hosting the latest Basel iteration. Soon there will only be Basel fairs, along with Art Central,...
Kenny Schachter Casts Dark Shadows Over Armory Week
Collage by Kenny Schachter. Image: Courtesy of Kenny Schachter Collage by Kenny Schachter. Image: Courtesy of Kenny Schachter Dark Shadows “Dark Shadows” was an epic American gothic soap opera involving a bloodsucking vampire. Though it aired weekdays from...
Kenny Schachter on Why Gstaad Is the Perfect Context for James Franco’s ‘Resort Paintings’
Collage by Kenny Schachter. Image: Courtesy of Kenny Schachter James Franco, Bird 13 (2015). Image: Courtesy of Siegfried Contemporary Hello Magazine, Art World Edition After my recent article on the art and art scene in St. Moritz, returning with a piece on...
Kenny Schachter on London’s February Auctions: The Sky Is Falling—Or Is It?
Collage by Kenny Schachter. Image: Courtesy of Kenny Schachter The Sky is Falling—Or Is it? Breaking news: stocks take a historic plunge amid a global rout and oil slumps to a 13-year low. Even more shocking is that the art market squeaked by during the latest spate...
Dawn of the Dead
Andy Warhol “Abstract Painting”, circa 1982. Courtesy Anton Kern Gallery, New York. © The Andy Warhol Foundation for the Visual Arts The Foreground Though it feels like it’s been forever upon us, Zombie Formalism is a recent breed of mostly male, mostly generic...
Kenny Schachter on Joe Bradley’s Unlikely Rise to Art World Eminence
Joe Bradley, Untitled (2015). Image: Courtesy of Kenny Schachter Though neither of us could recall the exact circumstances under which we met (endemic to the times), I’ve known Joe Bradley since roughly 2001. I was immediately taken by the artist...
Kenny Schachter on the Debut of Vito Schnabel’s Gallery in St. Moritz
At 1,822 meters in altitude, St. Moritz, in the Swiss Engadine Valley, is among the highest peaks in the Alps and a sporting mecca, having hosted the Winter Olympic Games in 1928 and 1948, one of only three cities to do so twice (besides Innsbruck, Austria and...
Kenny Schachter on Peggy Guggenheim’s one-woman fight to champion artists
What’s most magical (and it’s nothing less) about Peggy Guggenheim: Art Addict is discovering Guggenheim's voice through her voice. During the making of this documentary about the socialite, bohemian and art collector (1898-1979), 100 hours of tapes were unearthed....
Kenny Schachter on Why Art Basel in Miami Beach Is the End of Art History
Covering Art Basel Miami Beach since its inception 14 years ago I frankly didn’t think there would be any stories left to tell, yet there’s inevitable change and flux afoot though not entirely for the better. Miami is one of the few, if not only, places the art...
Kenny Schachter Gives the Dirty Details Behind the Big New York Auctions
Jim Shaw, Dream Sculpture (2006), Image: Courtesy of Phillips I covered the fall New York art auctions—focusing more than usual on the art itself for a change—for another art publication, and the editors there knew full well in advance that my writing voice verges...
The sky is falling on the art market, or is it?
In last week’s New York auctions of Impressionist and Contemporary art, $2.3bn was transacted in two weeks and though less than the last spate in May ($2.7bn, a record high), nevertheless it was above the $2.1bn presale estimate. Any diminution in value this season...
Vice in the Art World: Kenny Schachter’s Adventures at the London Auctions and FIAC
Postwar and contemporary art auction at Christies. Image courtesy of Kenny Schachter. The Auctions Vice Media dropped into my house in London a short while ago to shoot for an upcoming series on the art market that they’re in the midst of producing for HBO; I was...
Kenny Schachter On the Good, the Bad, and the (Very) Ugly of London Frieze Week—Part I
Kamel Menour at his booth at Frieze London 2015, with works by Camille Henrot. Photo: Linda Nylind. Courtesy of Linda Nylind/FriezePhilip Roth with portrait by Kitaj. Image: Courtesy of Stephen Ongpin Gallery The Good, Bad and (Very) Ugly of Frieze Week Picking up...
Kenny Schachter Lays Bare the New Auction Season—Who’s Up, Who’s Down
I know this sounds like a set-up for a Richard Prince joke painting but it’s true: I went to a shrink to help cope with anxiety issues last week and when he found out what I did for a living, all he could ask about over the course of the next hour was art market...
UNLIMITED AMMO: THE SALE AND AFTERMATH
Nothing Captures the Essence of a City and Its Citizens Like the Things That They Are Enticed to Buy, Fear, Respect, or Be Amused By. We Consider the Hook, the Artifice, the Sale and Aftermath of a London & Los Angeles Driveby, All Through the Lens of Robert Landau....
Killed Deals, Crashing Markets, Flailing Flippers: What Does It All Mean? Kenny Schachter on the Summer Past and the Season Ahead
Leonardo DiCaprio and Kenny Schachter in the late 1990s. MARCO BRAMBILLA Could we be in for a rough ride this fall in the high-flying, gravity-defying top end of the contemporary art market? That was the billion-dollar question on the lips of the summer art crowd from...
The great debate: why galleries could take even more money from their artists
Magnus ReschA Twitterstorm erupted in the US last month over the findings of survey of 8,000 art galleries based in the US, UK and Germany. Cultural researcher and Larry’s List co-founder Magnus Resch found (no surprise here for those in the know) that running an art...
Kenny Schachter On What’s Really Going on at the Top End of the Art Market
Andy Warhol, One Dollar Bill (Silver Certificate), (1962). Courtesy Sotheby's.Sotheby’s July 1 Contemporary Evening sale. Photo: Courtesy of Kenny Schachter. The school year for the international art world stretches from Frieze London in early October to the London...
Kenny Schachter On Why Art Basel Left Him Mentally and Physically Damaged
Eric Fischl. Photo: Kenny Schachter. Art Basel 2015 was a story both thrilling and catastrophic, ending with a real bang. Literally. But before I get to that, and the fair, I made a quick stop in Zurich prior to going up to Basel to see some art and art people....
Kenny Schachter On How Kenny Schachter on How Art Dealing Has Become Joyless, Boring, and Mean-Spirited
Kenny Schachter as the art court jester. Image: via Kenny Schachter. I began writing diaristic pieces for artnet.com more than 20 years ago, so it’s only fitting that I return to roost in 2015, where it all began. Only now the chronicle is beginning to...
Kenny Schachter’s New York Auctions Diary: Big-Game Hunters, Flipping In-N-Outers, and Passionistas
Photo: Courtesy of Kenny Schachter The megalith known as today’s art market has more personalities than noted 1970s schizophrenic Sybil. A recap of the hyped-up, rocket-fueled auction sales this past week might be better served in the form of an animated cartoon, but...
Polke Dance: In New York (Part 2)
Kenny Schachter wearing Daniel Steegmann Mangrané’s Phantom (2015) at the New Museum. On my second day in New York the snow was so heavy that I feared I would be forced to spend a terrifying night at the museum with “Surround Audience,” the New Museum’s just-opened...
A Truffle Pig Heads for the Piers: In New York (Part 1)
People look at works of art displayed during the The Armory Show in New York (photo: dpa) There should be a rule in art journalism: always lead with Damien Hirst. Hirst is having a fuck-all, wildly ambitious (over-produced?) show to coincide with his...
Polke Dance: Kenny Schachter in New York (Part 2)
Schachter wearing Daniel Steegmann Mangrané’s Phantom (2015) at the New Museum. The first part of Shachter’s Armory Week report is here. On my second day in New York the snow was so heavy that I feared I would be forced to spend a terrifying night at the...
A Truffle Pig Heads for the Piers: Kenny Schachter in New York (Part 1)
Razvan Boar, Ass Smile, 2015. There should be a rule in art journalism: always lead with Damien Hirst. Hirst is having a fuck-all, wildly ambitious (over-produced?) show to coincide with his soon-to-be-released tell-all book, written with help from James Fox, who...
L.A. Wildcatters, a Davos Doomsayer, the London Auctions, and the Future of the Art Market
Simcho Che I am convinced that the art market is in an extended bull run the likes of which have never been seen before. Sure, nothing goes up forever, but we are experiencing fundamentals fostering the fever to buy more art at ever escalating prices. A qualified...
‘I Coulda Been a Contender’: Kenny Schachter on L.A. Wildcatters, a Davos Doomsayer, the London Auctions, and the Future of the Art Market
Simcho Che. I am convinced that the art market is in an extended bull run the likes of which have never been seen before. Sure, nothing goes up forever, but we are experiencing fundamentals fostering the fever to buy more art at ever escalating prices. A qualified...
